THE END OF SEX (OR WHAT’S WRONG WITH MOM)

A menopausal wife informs her husband of thirty-five years that she never wants to have sex again, not with him, not with anybody. A young wife’s sudden success threatens a husband whose career isn’t going nearly as well. Gay Walch’s The End Of Sex (Or What’s Wrong With Mom), the latest Victory Theatre Center World Premiere is nothing if not conversation-provoking.
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TINY BEAUTIFUL THINGS

In need of a good laugh? A good cry? A message of comfort and joy in these particularly troubled times? Then look no further than the Pasadena Playhouse, where My Big Fat Greek Wedding star Nia Vardalos has set up house this month with her powerful stage adaptation of Cheryl Strayed’s Tiny Beautiful Things.
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SOUTHERNMOST

A big-city transplant returns to the small Hawaiian town her parents still call home for a volcanic family reunion in Mary Lyon Kamitaki’s highly entertaining generation-gap/culture-clash dramedy Southernmost, the latest Playwrights’ Arena World Premiere.
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STEEL MAGNOLIAS

Six Southern women with deceptively delicate exteriors give six Actors Co-op treasures the chance to strut their comedic-dramatic stuff like the L.A. theater stars they are in Robert Harling’s Steel Magnolias.
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TOO MUCH SUN

Tony-nominated playwright Nicky Silver goes Chekhovian without abandoning his gift for snappy one-liners in Too Much Sun, a West Coast Premiere that manages to transition from comedy to something befitting the Greeks without missing a beat.
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THE WOLVES

Echo Theater Company has not only scored a major coup in snagging the Los Angeles Premiere rights to Sarah DeLappe’s 2017 Pulitzer Prize finalist The Wolves, the extraordinary production Echo has mounted of DeLappe’s Altmanesque eavesdropping on six Saturdays of teen-girl soccer warmups will surely be remembered as one of 2019’s best.
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AMERICA ADJACENT

The United States proves far from paradise for six Filipino women seeking a brighter future for their unborn (or recently born) infants in Boni B. Alvarez’s captivating and compelling hot-button-issue dramedy America Adjacent, a Skylight Theatre Company World Premiere.
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HIR

There are dysfunctional family comedies … and then there’s Taylor Mac’s Hir, a dysfunctional family comedy that takes the genre to such extremes that not everyone will make it past intermission. I, on the other hand, relished every twisted second of this Odyssey Theatre Ensemble Los Angeles Premiere.
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