SANTASIA – A HOLIDAY COMEDY


Santasia – A Holiday Comedy is back at Sherman Oaks’ Whitefire Theatre for its 25th annual mash-up of  madcap SNL-style skits, clever Claymation videos, hilarious Broadway musical parodies, nostalgic Christmases memories, and Brandon Loeser in drag, the best possible news for audiences seeking holiday comedy rated R-for-language and H-for-heart.
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MRS. DILBER’S CHRISTMAS CAROL

It’s a clever, promising premise, and were it given less over-the-top treatment, Arthur M. Jolly’s Mrs. Dilber’s Christmas Carol just might be a winner, but excessively broad performances squander much of the good cheer Jolly’s script might otherwise inspire. (It would help too if you could understand more than half of what the actors are saying.)
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THE GODDAMN COUPLE DOWN THE HALL (OH… AND MERRY CHRISTMAS)


Your favorite Hallmark Christmas movie meets Alfred Hitchcock’s Rear Window meets the Farrelly Brothers at Theatre West in Mark Wilding’s wild-and-wacky, expectations-subverting The Goddamn Couple Down the Hall (Oh… and Merry Christmas), the appetizingly astringent antidote to all the sugar-sweet holiday fare playing around town this time of year.
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FOUR TOP


An initially promising hook-up gone suddenly, disastrously amiss is just the start of the romcom roundelay that is Michael B. Kaplan’s laugh-packed World Premiere Four Top, the latest winner presented Upstairs at the Group Rep.
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BARBRA’S WEDDING


Nick Bredosky and Kaylin Zeren deliver the comedic goods in a savvily gender-swapped take on Daniel Stern’s married-couples comedy Barbra’s Wedding, now halfway through its two-Fridays-only run at LA Connection Comedy Improv Theatre.
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THE 22+ WEDDINGS OF HUGO MULITPLE


Latino Theater Company treats L.A. audiences to a rarity in this city of almost a million-and-a-half Spanish speakers, teatro en español (with English supertitles) thanks to Gala Hispanic Theater’s The 22+ Weddings Of Hugo Multiple, Gustavo Ott’s simply marvelous look at love and immigration in today’s America.
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MURDER ON THE LINKS


Playwright Steven Dietz has taken Agatha Christie’s 1923 whodunnit Murder On The Links and adapted it as a rollicking, tongue-in-cheek six-actor farce that only the most diehard Christie purist could fail to love.
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THE IMPORTANCE OF BEING EARNEST


Inspired direction, pitch-perfect performances, and a gorgeous production design combine to make Antaeus Theatre Company’s 2024 season opener about as perfect a The Importance Of Being Earnest as any Oscar Wilde lover could wish for.
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