Author Archive

CINEPHILIA


New York cinephiles Johnny and Arden are 20something “friends with benefits,” or at least that’s how Johnny would refer to his “recreation” with Arden.  She, on the other hand, considers their four-and-a-half years’ worth of occasional sex + conversations about movies a “relationship.” Imagine her dismay upon learning that Johnny plans to move to Los Angeles, that he’s already started packing, and that worst of all, it’s because he met a girl three weeks ago and the move out west is to be with her.  Then there’s Johnny’s roommate of five years, Plato, who despite dating girls seems even more in love with Johnny than Arden is…and far more distraught about Johnny’s impending departure. Add to the mix the arrival of Johnny’s new girlfriend Natalie, and you’ve got Cinephilia, 80 absorbing minutes of clever conversation and twisted relationships.
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TWIST


The Tony and Oscar winning family classic Oliver and the recent award-
winning off-Broadway musical Twist share the same basic Charles Dickens
plotline.  For those living under a rock, it goes as follows:  An orphan boy named
Oliver Twist, abandoned at birth, raised in an orphanage, later sold to a
mortician, and eventually taken in by the rapscallion Fagin finds ultimate
wealth and happiness.  That’s where the resemblance ends.  Unlike the G-
rated, Focus on the Family approved Oliver, Gila Sand and Paul Leschen’s
Twist gives the Dickens classic a subversively gay S/M musical twist.  I loved it!
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THE FULL MONTY


I’ve seen five (count’em) five productions of The Full Monty, and I have to tell you,
this is a show I just keep liking more and more. My love affair with TFM (well, it was
just a “like affair” at first) began with the first national tour and continued a couple
years later with a fine non-Equity tour. Then came two large-theater regional
productions, including this year’s superb Musical Theater West version, and finally,
yesterday, my first 99-seat TFM, a production which marks a hugely successful
debut for the just formed Theatre7.
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ATLANTA THE MUSICAL


Atlanta The Musical is a gorgeous new theatrical work, both intimate and
epic, historical and immediate, filled with powerful performances,
memorable tunes, and a timeless story of love in the time of war.
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DOUG CARPENTER

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VARIATIONS ON A THEME: THE BEST

The Chance Theatre threw a block party in June and two hundred people
attended.  After seven hours of “boisterous fun” and interaction, 100 short
plays were submitted to the Chance, all based on the theme “The Best.” Of
the initial 100, 6 were eventually chosen to make up an evening of theater
entitled Variations on a Theme: The Best.
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ANNE OF GREEN GABLES: THE MUSICAL


Young girls in Orange County will love The Chance Theatre’s production of Anne 
of Green Gables: The Musical.  Based on the first and most famous of Lucy Maud 
Montgomery’s eight Anne Shirley books, this adaptation by Joseph Robinette and 
Evelyn D. Swenson adds songs to what has already been a 1919 silent movie, a 
1934 Hollywood film (starring interestingly enough Anne Shirley), a 1956 TV 
production, a British mini-series in 1972, a four-hour TV movie in 1985 which 
spawned two sequels, and even a Japanese anime series. (And who knows how 
many other versions are out there?)
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THE DESK SET

William Marchant’s The Desk Set is an entertaining 1955 Broadway comedy which
revolves around one of the 50s’ biggest fears. No, not fear of communism or of
nuclear war, but rather the fear of the machine replacing man at the workplace.
Here, the machine is a gigantic (especially by today’s standards) computer called
E.M.M.A.R.A.C, nicknamed “Emmy,” and the workplace is the Reference
Department of IBC, a large radio and television broadcasting company in
midtown Manhattan.
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