Author Archive
GREAT EXPECTATIONS
Saturday, April 12th, 2008RECOMMENDED
Transforming Charles Dickens’ 350-page/2 dozen-character novel Great Expectations into a musical is an ambitious task, but this is the challenge that book writers Brian VenDer Wilt and Steve Lozier, composer Richard Winzeler, and lyricist Steve Lane have dared to undertake. Even more challenging is staging it in a 99-seat venue like the Hudson Backstage Theatre.
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CELL PHONE FUNERAL
Friday, April 11th, 2008RECOMMENDED
WeHo gay boy Zackery has just accidentally run over a fellow WeHoian named Patrick—twice, and confesses to his best bar buddy Barry that he feels “kinda bad” about killing the stranger, who like Zackery was out cruising for sex. Meanwhile, 3000 miles away, Patrick’s alcoholic muumuu-wearing mother is given the bad news by her surviving son Marcus. In a “Mom always liked you best” moment, Mother tells Marcus, “Don’t take this personally. I love you both equally, but he was my favorite.” She decides to fly west to arrange his funeral. “But you hate to fly,” protests Marcus. “I’ll fly,” insists Mom. “He’s my only son.”
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SNAKE IN THE GRASS
Thursday, April 10th, 2008
Alan Ayckbourn’s Snake In The Grass is a real change of pace for the “British Neil Simon.” Famed for his clever comedies (Absurd Person Singular, The Norman Conquests, Bedroom Farce), the prolific (at nearly 70 he still averages 2 to 3 plays a year) writer tries his hand at a dark comedy/thriller here and succeeds admirably at darkness, comedy, and thrills.
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ONE NIGHT STANDS
Sunday, April 6th, 2008RECOMMENDED
One Night Stands, The Sex Comedies began as the second half of a program of one acts last June. Nearly a year later it continues in expanded form as a sort of “late night” entry playing during “prime time” hours (sans the two musicals which completed the original program).
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THE IMMIGRANT
Saturday, April 5th, 2008
Black and white photos show immigrants arriving in the United States in the early 1900s as the sound of a howling wind blows across the southeast Texas plains. While a newspaper headline announces “Victims Of Russian Massacres,” a sign welcomes travelers to Galveston, the “Treasure Island Of America.” A foreign-accented male voice is heard singing a beautiful but mournful tune: “The stars can see what we cannot, the stars remember what we forgot. See that shining spark. God is there in the dark…”
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THE WILD PARTY
Friday, April 4th, 2008
Tell a musical theater aficionado that you’re going to see The Wild Party and the first question you’ll be asked is “Which one?” Will it be the 2000 Broadway show with music and lyrics by Michael John LaChiusa, or will it be the 2000 off- Broadway version with music and lyrics by Andrew Lippa?
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THE NERD
Tuesday, April 1st, 2008
Rick Steadman, aka The Nerd, is the guest from hell who comes and stays and stays and stays…in Larry Shue’s hilarious comedy, The Nerd. Shue only wrote two plays (The Nerd and The Foreigner) in a life cut far too short, but they are both comic gems which assure his legacy. There is hardly a theater company (regional, community, or school) that hasn’t presented at least one of them, and with good reason. They are funny, outrageous, absurd delights, and Shue’s The Nerd is now getting an almost perfect production at the Hermosa Beach Playhouse.
DON JUAN
Sunday, March 30th, 2008
I have a confession. I’d much rather see a comedy by Molière than one by William Shakespeare. I think it’s mostly the language. Since Molière is usually translated from 17th century French into modern English, his plays feel contemporary, even when set hundreds of years ago. I felt so last June when I saw The Imaginary Invalid at ACT in San Francisco and I felt so again last night watching Don Juan at A Noise Within, Glendale’s diamond of a classical theater company.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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