Author Archive

BYE BYE BIRDIE


It’s 1958 all over again in CLOSBC’s picture-perfect revival of the rock-n-rollin’ Broadway classic Bye Bye Birdie, with L.A. favorites John Bisom and Natalie Nucci giving New York originals Dick Van Dyke and Chita Rivera a run for their money in stellar triple-threat performances. Director-choreographer extraordinaire Dan Mojica once again works his magic in bringing to finger-snappin’ toe-tappin’ life the Elvis Presley-gets-drafted-inspired book by Michael Stewart and the oh-so-memorable songs by Charles Strouse and Lee Adams.  
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SEA CHANGE


The year is 1974 and a quintet of Tufts University friends have gone whale watching off the coast of Provincetown.  Virginal conservative gay guy Val and liberal lesbian Jan are arguing about politics, Val contending to Jan’s absolute horror that “you can’t blame Nixon for Kent State.”  Blond Adonis Sunny is stoned as usual, and arguing with feisty lesbian Elle on whether it’s TLGC (Tufts Lesbian and Gay Community) or TGLC, alphabetical order making more sense to Sunny as a gay male. Completing the fivesome is Sunny’s devout Catholic boyfriend Gene. 
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RED SCARE ON SUNSET

RECOMMENDED
No one spoofs classic Hollywood movie genres better than Charles Busch.  Whether it be the Ross Hunter women’s pictures of the 1950s and 60s (Die! Mommie! Die!) or Frankie and Annette Beach Party flicks (Psycho Beach Party) or WWII spy epics (The Lady In Question), Busch knows his Hollywood backwards and forwards.  The more his audience knows about movie styles and movie stars, the funnier Busch’s plays are, but even those not so familiar with names like 1950s TV staples Kate Smith, Dagmar, and Norman Vincent Peale will find laughs aplenty in Red Scare On Sunset, which lampoons (and pays tribute to) late 40s/early 50s red-baiting propaganda films like Red Menace, I Married A Communist, and My Son John.
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RAGTIME


Musical Theatre Of Los Angeles’ sensational revival of Ragtime The Musical is the kind of production they say “can’t be done,” and yet, miracle of miracles, they’ve done it. One of the most truly epic shows ever to have filled a Broadway stage, the original production featured a cast of 50. MTLA’s production scales that down somewhat (the program lists 37 performers) but even so, merely to fit those three dozen actors on the Hudson Backstage Theatre’s stage (plus a 10-piece orchestra and conductor) seems nigh on impossible, let alone have them move, interact, even dance.  But they’ve done it.  Yes, indeed, they’ve done it!
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43 PLAYS FOR 43 PRESIDENTS


Arriving just in time for the election season, 43 Plays For 43 Presidents is a lickety-split rollercoaster ride through the last 219 years of American history.  
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WEHO


Classic nighttime soaps, Dynasty and Melrose Place to name just two, get a hilarious gay spoofing in the Celebration Theater’s latest late night hit, WeHo, named after “the most dramatic city never to hit prime time. Some call it West Hollywood. We call it WeHo!”
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SPEECH & DEBATE


A Salem, Oregon high school teacher cruises school restrooms and gay.com to pick up 18-year-old students for sex.  Salem’s conservative mayor is rumored to up to similar shenanigans, all the while promoting an anti-gay agenda. Sounds like the basis for a stark, current-as-today’s-headlines drama, right?
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BE LIKE WATER

NOT RECOMMENDED

It’s not easy being 14, especially when you’re different from the other kids.  That’s what Chinese-Japanese-American Tracy (Saya Tomioka) has discovered in her Uptown Chicago neighborhood in the year 1978.  Unlike her popular classmate Tina (Ariel Rivera), an Asian teen Farrah Fawcett clone, Tracy would rather watch Bruce Lee movies than go to Nisei dances. Unlike her unfortunately named classmate Bruce Lee (Shawn Huang), Tracy would rather practice kung fu moves than dance the latest disco steps to “Disco Inferno” or “He’s The Greatest Dancer.”
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