Author Archive

STORMY WEATHER


The legendary Lena Horne is brought to vivid life by a pair of stellar performers in the Pasadena Playhouse production of Stormy Weather. Like the Playhouse’s electric Ray Charles Live, Sharleen Cooper Cohen’s bio-musical (under the assured direction of Michael Bush) revisits the life of a show biz superstar through the eyes of her grown-up self, played here by triple-threat stage, screen, and recording star Leslie Uggams.  Young Lena is the equally gifted Nicki Crawford, and together they take the audience on a half-century journey from Harlem’s Cotton Club to the stages of the world—punctuated by some of the greatest songs of the era.
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JOSHUA BITTON

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WHO’S AFRAID OF VIRGINIA WOOLF


The Rubicon Theatre’s production of Edward Albee’s Who’s Afraid Of Virginia Woolf is one that I have been eagerly awaiting since it was first announced as part of the Rubicon’s 2008-9 season, and to end any suspense, let me say right away that this Virginia Woolf does not disappoint. It is a flawless production of one of the most famed and discussed plays of the second half of the 20th Century, the tale of one drunken evening at the home of college Assistant Professor George and his wife Martha, and their two young late night guests.
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THE PRODUCERS


There is always excitement when a Broadway megahit like Mel Brooks’ The Producers makes its regional theater debut, and when the regional premiere is as all-around sensational as the one currently being staged by Musical Theatre West, it is a theatrical event of major proportions.
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SQUABBLES


Theatergoers in search of laughter with a dollop of romance added for good measure need look no farther than Squabbles, currently lighting up the stage at the Palos Verdes-adjacent Norris Center For The Performing Arts.
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POPE JOAN

NOT RECOMMENDED

Following their award-winning revival of Hair, producer Michael Butler and director/choreographer Bo Crowell return with the world premiere musical Pope Joan, the saga of history’s only female pope, who (supposedly) reigned for less than three years in the 850s.
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LIGHT UP THE SKY


Moss Hart affectionately skewers the world of the theater in his 1948 comedy Light Up The Sky, now being given a pitch-perfect revival by Open Fist Theatre under the crackerjack direction of Bjørn Johnson.
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REVERB

RECOMMENDED
A 20something couple express their love by beating each other black and blue in Reverb, the latest—and darkest—of Leslye Headland’s Seven Deadly Plays, or at least of the three reviewed here.
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