Author Archive
AN EMPTY PLATE IN THE CAFÉ DU GRAND BOEUF
Wednesday, June 3rd, 2009
The Laguna Playhouse serves up a tangy comedic soufflé in the West Coast Premiere of An Empty Plate In The Café Du Grand Boeuf—with a surprise “be careful what you wish for” dénouement worthy of O Henry.
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THE LITTLE FOXES
Tuesday, June 2nd, 2009
There were no air conditioners or airplanes, no television or traffic lights in 1900. Ballpoint pens and shopping carts had yet to be invented, nor had calculators or computers. Still, despite how different our 21st Century world may seem from the one inhabited by the Hubbards of Lillian Hellman’s The Little Foxes, at least one thing remains very much the same—greed. When Ben Hubbard utters the prophetic lines, “There are hundreds of Hubbards sitting in rooms like this throughout the country. All their names aren’t Hubbard, but they are all Hubbards and they will own this country some day,” he could easily be speaking of the CEOs whose greed is in large part responsible for today’s economic woes. Despite being seventy years old and taking place more than a century ago, The Little Foxes is as relevant as ever, as well as being crackling good theater, especially in a production as exciting, powerful, and contemporary as the one now playing at the Pasadena Playhouse.
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THE BRAND NEW KID
Sunday, May 31st, 2009
Don’t let the words Theatre For Young Audiences fool you. South Coast Repertory’s TYA productions are treats for theatergoers of all ages. True, most audience members over the age of 12 are probably there as chaperones, but fear not. In terms of on-and-offstage talent, these shows can’t be beat, and even adults who cringe at the idea of seeing anything G-rated will likely have a great time, with or without kids in tow.
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THE MUSCLES IN OUR TOES
Saturday, May 30th, 2009
The last time there was a 20th high school reunion at the El Portal Forum Theatre, the returning grads were a quartet of 60s-hits-singing housewives who called themselves The Marvelous Wonderettes. In Stephen Belber’s just opened The Muscles In Our Toes, the returnees are four male buddies and the music providing a soundtrack to their reunion is performed by Culture Club, Eurythmics, and other 1980s icons. Whereas The Marvelous Wonderettes was light and fluffy fun, The Muscles In Our Toes makes for far darker fare, at times shocking, but often hilarious in its own edgy way.
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42nd STREET
Friday, May 29th, 2009RECOMMENDED
It’s always a pleasure to see a Downey Civic Light Opera production. I don’t know of another L.A. area CLO with Downey’s hometown feel. Downey residents have come to know DCLO’s resident cast of musical theater stars including Bill Lewis, Charlotte Carpenter, Ed Krieger, Ann Peck McBride, and Glenn Edward, all of whom have done show after show under the direction of Marsha Moode, DCLO’s Executive Producer extraordinaire. Downey CLO concludes its 2008-2009 season with the ever popular 42nd Street, which just happens to star all of the above regulars under Moode’s as always inventive direction.
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BABYLON HEIGHTS
Thursday, May 28th, 2009NOT RECOMMENDED
WARNING: Language in this play and in my review is rated NC-17.
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OKLAHOMA!
Wednesday, May 27th, 2009
As the overture reaches its climax, lights come up on a middle-aged woman sitting alone on stage working a butter churn. Behind the woman is a farmhouse and fields of corn as high as an elephant’s eye, and her full-length country dress tells us we are in the early 1900s. From offstage comes a male voice singing a cappella, “There’s a bright golden haze on the meadow…” The voice grows louder until the man enters, wearing a cowboy hat and chaps. “Oh what a beautiful morning… Oh what a beautiful day,” serenades the man to the farm woman, who continues her churning.
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THE GREEN ROOM
Tuesday, May 26th, 2009
There’s some exciting news for High School Musical fans who’ve moved on to higher education. College Musical has arrived! Well, in actual fact the show in question is entitled The Green Room, but in many ways it’s like a PG-13 post-graduation spin-off of the über popular Disney franchise. Like HSM, this enjoyable world premiere features young, ready-for-their-close-up triple-threats who spend more time singing, dancing, and pairing up than doing their assignments. Then again, who would pay to see a show about homework?
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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