Author Archive

FARRAGUT NORTH


Farragut North is the Washington D.C. subway stop where political has-beens debark to do the only thing left for them in the world of politics—boring, thankless consultant jobs. It’s also the title of Beau Willimon’s exciting, riveting new play about the behind-the-scenes maneuverings (and back-stabbings) of a Presidential primary campaign, a 2008 off-Broadway production now transferred to the Geffen Playhouse for its West Coast Premiere.
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HE ASKED FOR IT


Freshly arrived in LaLa Land from Wyoming, aspiring actor Ted is working out on the treadmill at 24 Hour Fitness.  Could the hunk doing cardio next to him possibly be gay? Perhaps a question or two might clear up any confusion.  Ted: Do you like Madonna? Hunk: No.  After a few more failed attempts to get the conversational ball rolling, the new guy in town plunges into his life story.  “I never got that kind of radar thing you’re supposed to get,” the gaydar-challenged young actor explains.  “You should try the Internet,” suggests the gym bunny, and when Ted plunges in and suggests maybe getting together, the studly object of his attention responds succinctly, “Sorry, but I don’t go out with guys I meet at the gym.”
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2 PIANOS, 4 HANDS


If ever a show can be called “unique,” it’s the truly one-of-a-kind comedy with music 2 Pianos 4 Hands, now playing at the Colony Theatre.
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CABARET


When Cabaret debuted on Broadway in 1966, its tale of star-crossed lovers in pre-WWII Berlin was dark stuff for New York audiences accustomed to considerably brighter shows like Hello Dolly, She Loves Me, and Mame. Still, that first incarnation of Cabaret was positively sunny compared to the 1998 revival which has set the tone for just about every Cabaret since then.  Imagine a Cabaret without “Mein Herr,” “Maybe This Time,” or “I Don’t Care Much,” without Kit Kat Boys, without any suggestion of homosexuality, one with upbeat love songs like “Why Should I Wake Up?” or the Yiddish ditty “Meeskite.” That was Cabaret pre-1998 and one which might be a bit of a yawn by contemporary standards.

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FACING EAST


It has been said that there is no greater loss than that of a child a parent has given life to. Imagine, then, how much more devastating the pain must be when that parent feels responsible for his or her child’s death, and how much greater still if the child’s death has occurred at his or her own hands.

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STRANGER


The rock-based notes of an Ennio Morricone-like melody inform us that, once again, it’s once upon a time in the West.  The year is 1847 and the tiny Nevada town of San Lorenzo has been enslaved by a ruthless villain known only as Lagarto. Showdown time has arrived, and the town sheriff orders his teenage daughter Lucinda to get inside.  “You do it for Mama,” Lucy cries out. “You kill him for her!”  The sheriff looks the evil Lagarto in the eye and informs him, “This is your last chance.  Take your men and be on your way.”  “You look like a simple man,” responds Lagarto, “so I’ll keep it simple. No.” And with that, he shoots the sheriff, then his deputy.  Pulling out an enormous knife, he grabs Lucy and tells her, “I like you. I think I’m going to keep you.” Lagarto then proceeds to slit the sheriff’s throat with the knife until his blood is splattered everywhere.
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VIOLET


For about a thousand Los Angeles musical theater aficionados, June 15, 2009 will be remembered as the evening Shannon Warne played Violet. As a young woman whose emotional scars run as deep as the facial scar she longs for a miracle to erase, Warne gave one of the most dazzling performances by a lead actress in a musical I have seen in the past several years.  That this performance was achieved in a “concert staged reading” allowed a mere twenty-five hours rehearsal time by Actors’ Equity, and that the entire undertaking was every bit as memorable as its leading lady is nothing short of amazing. How lucky to have been at the Alex on June 15!
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SCHOOLHOUSE ROCK LIVE TOO


For the many who saw and loved Schoolhouse Rock Live! when it played the Greenway Court Theatre a year and a half ago, there’s some great news. Schoolhouse Rock Live! Too has arrived, with 20 more classic Schoolhouse Rock songs/lessons performed live by a stellar cast of triple threat talents and a rocking live band.
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