Author Archive
STEPHEN SCHWARTZ
Sunday, August 23rd, 2009
Upright Cabaret’s Wicked Summer Nights came to a smashing conclusion with a star-studded tribute to mega-composer/lyricist Stephen Schwartz at Hollywood’s Ford Amphitheatre on Sunday, August 23, produced by power duo Chris Isaacson and Shane Scheel, and directed by Broadway’s sensational Billy Porter.
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THE RECEPTIONIST
Saturday, August 22nd, 2009
A middle-aged man in a business suit sits alone on the edge of a blackened stage, illuminated by a sole spot, and quietly describes the humane way to kill a fish which has been wounded by the fisherman’s hook in such a way that it cannot be thrown back into the water to carry on its submarine life. He then comments somewhat ambiguously, albeit ominously, about “people who don’t like what we do to people over there.”
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ANITA BRYANT DIED FOR YOUR SINS
Friday, August 21st, 2009
If every man’s life is a story, then the time has come to write mine,” types fifteen-year-old Horace Poore from his tree house at the start of Anita Bryant Died For Your Sins, Brian Christopher Williams’ terrific memory play. Under West Coast Ensemble Co-Artistic Director Richard Israel’s inspired direction, and with a star-making turn by the brilliant young Wyatt Fenner, Anita Bryant Died For Your Sins shapes up to be this summer’s most talked-about and praised new play.
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BREAKING AND ENTERING
Wednesday, August 19th, 2009RECOMMENDED
A legendary one-hit-wonder novelist receives an unwelcome late night visit from his “biggest fan” in Colin Mitchell’s Breaking And Entering, a very dark comedy now in its world premiere production at Beverly Hills’ Theatre 40 under the able direction of Mark L. Taylor.
WHAT THE BUTLER SAW
Saturday, August 15th, 2009
Here’s a question for theater aficionados? Can you think of a play which deals with, features, or mentions all of the following: depravity, disguises, gender identity, the government, hanky-panky, hermaphroditism, homosexuality, incest, insanity, marriage, mistaken identities, nymphomania, pederasty, psychiatry, rape, religion, reunited orphan siblings, slapstick, and transvestitism? Who could possibly have found a way to put all of the above into one play—and make it one of the most laugh-out-loud hilarious screwball farces ever?
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LEGALLY BLONDE
Friday, August 14th, 2009
Having conquered both Harvard Law School and Hollywood in the movie smash that made Reese Witherspoon an A-list star, Legally Blonde’s Elle Woods then went on to take Broadway by storm as the heroine of 2007’s Legally Blonde The Musical. Now, the not-so-dumb-blonde has arrived at Hollywood’s Pantages Theatre in a textbook example of how to turn a hit celluloid romcom into a nigh-on-perfect Broadway musical.
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TREEFALL
Thursday, August 13th, 2009
At some time in the perhaps not so distant future, after a series of “ecological events” has altered civilization as we know it, a trio of teenage boys have set up house in a primitive one-room mountain cabin somewhere in the Pacific Northwest. Despite the cataclysms that have befallen society, the “family unit” has somehow found a way to survive in Henry Murray’s Treefall, now in its world premiere engagement by Rogue Machine. Though a post-apocalyptic nightmare fairy tale would not be my usual theatrical cup of tea, the performances of its talented, charismatic young cast, the contributions of a superb design team, and some ultimately moving, thought-provoking writing make Treefall an absorbing piece of theater.
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THE MUSIC MAN
Tuesday, August 11th, 2009
If you want to know why The Music Man is one of the three longest-running musicals of the 1950s, head on up to Solvang for proof positive that Meredith Willson’s biggest hit is also one of the best Broadway musicals ever.
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