Author Archive

CHILDREN OF A LESSER GOD


It’s been thirty years since Mark Medoff’s Children Of A Lesser Gods opened theatergoers’ eyes to a new world, a silent world in which hand gestures take the place of the spoken word, and to a character who steadfastly refuses to venture out into what most would call “the real world.”  Technological breakthroughs since 1979, particularly the growth of the Internet and more recent developments like cell phone texting, have considerably reduced the schism between the hearing and deaf worlds.  Still, as Deaf West Theatre’s fine 30th Anniversary production of the Tony, Drama Desk, and Olivier Award-winning play makes clear, the deaf world and that of hearing people remain very different indeed.
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OKLAHOMA!


Los Angeles has been treating Rodgers And Hammerstein’s Oklahoma to quite a fabulous extended 65th Anniversary party these past two years, with three major productions already reviewed on these pages. It’s now Civic Light Opera Of South Bay Cities’ turn to work its musical magic on R&H’s very first collaboration, and given their illustrious track record, it’s no surprise that this Stephanie A. Coltrin-directed revival is an all-around winner, precisely the kind of production an Oklahoma!-caliber classic deserves.
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PUTTING IT TOGETHER


You won’t find a more tuneful, sophisticated or better performed show around town than South Coast Repertory’s beautifully staged revival of Stephen Sondheim’s Putting It Together.
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THE LITTLE DOG LAUGHED

RECOMMENDED
Santa Monica’s venerable Morgan-Wixson Theatre begins its 64th season with arguably its boldest choice ever, The Little Dog Laughed, Douglas Carter Beane’s hilarious, biting Hollywood-New York showbiz satire. It’s not every community theater that will take a chance on a love story between a gay movie star and a bisexual hustler, featuring a lesbian agent, R-rated language, brief full frontal male nudity, and plenty of same-sex smooching.  Fortunately for L.A. theatergoers in search of cutting-edge entertainment, the Morgan-Wixson has taken just such a chance, the result of which is a brilliantly written, well acted and directed, and funny slash conversation-provoking evening of theater.
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A FUNNY THING HAPPENED ON THE WAY TO THE FORUM


In the days before Stephen Sondheim got serious with his 1970s hits Company, Follies, A Little Night Music, Pacific Overtures, and Sweeney Todd, way back in the pre-Beatles early 60s, the soon-to-be multiple Tony Award-winner wrote A Funny Thing Happened On The Way To The Forum. Even now, forty-seven years later, this early Sondheim hit remains the perfect choice for those who complain that Sondheim is “too dark” or that his melodies are inaccessible. A Funny Thing Happened On The Way To The Forum is hilarious farcical fun, with no higher goal than to present “something for everyone, a comedy tonight.”
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MATTHEW MODINE SAVES THE ALPACAS


When a celebrity’s career has gone to pot, there’s nothing like a little humanitarian work to get him or her back on the A-List, or at least that’s what Matthew Modine has decided in Matthew Modine Saves The Alpacas, Blair Singer’s marvelously silly (and entertaining) mockumentary now diverting audiences at the Geffen.
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ART


“How do you like my new haircut?” 
“Don’t you just love my new outfit?” 
“What do you think about my new sunglasses?” 
  
How many of us have not been asked one of these questions and been faced with the age-old dilemma—to tell the truth, i.e. the whole unpleasant truth, or to avoid trouble by telling a little white lie.  “It looks marvelous on you! You’ve never looked better. I’m going right out to get some too!” How much easier it is to avoid hurting a friend’s feelings, and at the same time how frustrating and annoying, when what you really want is to tell your friend what an enormous mistake he or she has made. 
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STOP THE WORLD I WANT TO GET OFF

NOT RECOMMENDED

Musical Theatre Guild takes rarely performed Broadway gems, casts them with L.A.’s finest musical theater triple-threats, rehearses them in a mere twenty-five hours, and performs them once or twice—almost fully staged though book-in-hand. The resulting “concert staged readings” have ended up being some of the most exciting shows I’ve reviewed over the past two years, most notably last year’s Kiss Of A Spider Woman and Violet, the latter of which featured Shannon Warne’s (one-night-only) Musical Theater Performance Of The Year.  Even “problematic” shows like Seesaw have been worth a look-see, thanks to MTG’s superb casts, directors, choreographers, and musicians.
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