Author Archive

FADE OUT – FADE IN


When was the last time you saw a production of the 1964 Jule Styne-Betty Comden & Adolph Green musical Fade Out – Fade In?  Have you ever even heard of Fade – Out Fade In?
(read more)

JUNIE B. JONES


“The World According To Me” is just the first of ten sparkling musical numbers in Barbara Park’s Junie B. Jones And A Little Monkey Business, the latest entry in South Coast Rep’s Theatre For Young Audiences. Like its predecessors Imagine and The Brand New Kid, Junie B. Jones is a musical treat that will keep kids enthralled throughout its fast-moving under-ninety minutes (intermission included for snack and potty breaks).  Fortunately for any adults in attendance, Joan Cushing’s delightful book, music and lyrics, a talented sextet of triple-threat performers, and a fanciful rainbow-hued set and costumes are likely to entertain audience members of any age.
(read more)

A BIG GAY NORTH HOLLYWOOD WEDDING


Run, don’t walk, to see A Big Gay North Hollywood Wedding!
(read more)

JUST 45 MINUTES FROM BROADWAY


Start with quite possibly the most gorgeous set ever designed for a 99-seat theater production, add to that an intelligent, witty script which reads like a 21st Century version of Kaufman and Ferber’s The Royal Family, cast it with some of L.A.’s finest stage and screen talent—and the result is Henry Jaglom’s Just 45 Minutes From Broadway, one of the best new plays I’ve reviewed on StageSceneLA.
(read more)

DR. JEKYLL AND MR. HYDE

RECOMMENDED
Theatre 40 undertakes something out of the ordinary in presenting the Los Angeles premiere of Jeffrey Hatcher’s Dr. Jekyll And Mr. Hyde, an experimental theater-style adaptation of Robert Lewis Stevenson’s classic of psychological suspense.  Though Hatcher’s take on the Jekyll/Hyde tale proves problematic, an all-around fine cast under Jeff G. Rack’s frequently ingenious direction, as well as some particularly striking design elements, make this at the very least an interesting venture for Beverly Hills’ premier theater company.  (It may also be the first time you’ve heard the title character’s surname pronounced JEE-kul.  Apparently we’ve been getting it wrong till now.)
(read more)

BENT

RECOMMENDED
With anti-gay violence spiraling throughout the world, the time seems apt indeed for Diversionary Theatre’s thirtieth-anniversary revival of Martin Sherman’s gut-wrenching Holocaust drama Bent.  Though occasionally hampered by some problematic technical/design elements, this beautifully acted production is a powerful reminder of our not-so-distant past, and of the dangers of anti-gay bigotry gone amok.
(read more)

SHERLOCK’S LAST CASE


The world’s most famous detective takes center stage in Charles Marowitz’s Sherlock’s Last Case, a delightful, clever cross between spoof and homage now playing at Hollywood’s Actors Co-op Theatre. Under Jeremy Lewit’s oh-so ingenious direction, this comic tribute to Baker Street’s sleuth extraordinaire is a winner from its imaginative opening to its deliciously satisfying finale.
(read more)

MEET ME IN ST. LOUIS


Think back to the Golden Age of Technicolor MGM musicals and one of the first titles to pop into your head, particularly as the holiday season rolls around, will surely be 1944’s Meet Me In St. Louis. Even those who haven’t seen the entire film from opening credits to end titles have probably watched clips of Judy Garland singing “The Trolley Song,” “The Boy Next Door,” or “Have Yourself A Merry Little Christmas” on YouTube or TV.  The MGM classic made the transition from the silver screen to Broadway in 1989, and it’s with that production that Music Theatre West opens its 2009-2010 season. With direction by Richard Israel and choreography by Lee Martino, it’s no surprise that Meet Me In St. Louis is an all-around winner, and the perfect pre-Thanksgiving treat for young and old alike.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »