Author Archive

CRIME AND PUNISHMENT

RECOMMENDED
Actors Co-op is attempting pretty much the impossible—a 90 minute version
of Fyodor Dostoevsky’s Crime And Punishment, featuring a cast of three.  The
adaptation, written by Marilyn Campbell and Curt Columbus, debuted
several years ago in Chicago, where it won the Jefferson Award for “Best New
Adaptation.” The playwrights deserve high marks for condensing a mammoth
novel into a one-act play without sacrificing cohesion.  Its message of
redemption is particularly appropriate for the Christian-based Co-op.  Director
Ken Sawyer is a master of the visual, and the production looks great.  
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IN A GARDEN


Middle East Meets West in Howard Korder’s thought-provoking culture clash dramatic comedy In A Garden, now playing to considerable acclaim at South Coast Repertory.
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SWEENEY TODD


Anyone who’s seen only Tim Burton’s film adaptation of Stephen Sondheim’s Sweeney Todd or the “high-concept” production at the Ahmanson last year is hereby advised to head down (or up or over) to Torrance and catch the absolutely phenomenal revival being staged at El Camino College.
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SIDE BY SIDE BY SONDHEIM


Yes, Virginia, there was a Stephen Sondheim before Sweeney Todd, Merrily We Roll Along, Sunday In The Park with George, Into The Woods, Assassins, Dick Tracy, and Passion—as the 1976 musical revue Side By Side By Sondheim makes perfectly clear. 
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TRYING


There are times when all it takes is two actors to fill a stage, to fill it with humor and drama and heart. Trying, Joanna McClelland Glass’s much-loved two-hander, provides a pair of actors with just such an opportunity to shine. 

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THE WILD PARTY

RECOMMENDED

Just like the kids who pooled their talents to “put on a show” in 1939’s Mickey Rooney-Judy Garland flick Babes In Arms, so the young 21st Century performers of Still Hungry Theatre have banded together to stage Andrew Lippa’s The Wild Party on a shoestring—with commendable results.
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HARAM IRAN

NOT RECOMMENDED

In 2005, the Western world recoiled in horror at photos of Iranian teenagers Mahmoud Asgari and Ayaz Marhoni, hangman’s nooses around their necks, about to be put to death for, it was reported at the time, the crime of consensual homosexual acts.
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OEDIPUS EL REY


Where so-called “edgy” or “experimental” theater is concerned, the line between brilliant and pretentious is a fine one indeed, and in this reviewer’s experience at least, the latter is more often the case than the former.  That’s why it’s such a pleasure to report that Theatre @ Boston Court’s production of Luis Alfaro’s Oedipus El Rey is out-and-out brilliant theater, even for playgoers whose tastes run, as mine do, more toward the traditional.
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