Author Archive

MERRILY WE ROLL ALONG


For a show that lasted only sixteen performances in its original 1981 Broadway run, Stephen Sondheim and George Furth’s Merrily We Roll Along has had a remarkable “afterlife.” Over the past three decades, there’s probably not an American musical theater company that hasn’t staged it at least once. This reviewer alone has seen five productions of Merrily in the last four and a half years, Actors Co-op’s current revival being the latest and quite possibly the overall best of the bunch—and that’s saying a lot.
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THE WEB


While surfing the Internet, Chris Quiñones makes a shocking discovery—someone with the very same name as his, a Chris Quiñones who graduated with very same high school class, has the same date, place, and even hospital of birth, the same Columbian father and Jewish mother… The very same Chris Quiñones, yet subtly different in small details like the fact that for one Chris a particular time of import is a.m. but for the other p.m. Chris stays online all night searching, until finally the trail left by Chris II ends about a year ago, in Djibouti, after which his doppelganger has seemingly disappeared off the face of the earth.
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RUINED


Playwright Lynn Nottage puts a human face on the ongoing Civil War in the Democratic Republic of Congo in her Pulitzer Prize-winning drama Ruined, now in its West Coast Premiere engagement at the Geffen Playhouse.
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MYSTERIOUS SKIN


Mysterious Skin, Scott Heim’s powerful 1995 novel about two teenagers with a shared secret almost too horrendous to talk about, is the kind of book that would seem unadaptable to screen or stage, if only for its scenes of child sexual abuse. Still, miracle of miracles, Mysterious Skin The Movie and Mysterious Skin The Play did end up written, produced, and presented to audience bravos, the former by film maker Gregg Araki and the latter by playwright Prince Gomolvilas. It’s Gomolvilas’ ingenious stage adaptation that now gets an absolutely stunning Los Angeles Premiere at Little Tokyo’s East West Players in a production easily the Asian-American theater’s finest non-musical since Durango, three years ago.
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YOUNG FRANKENSTEIN


When the very first Broadway musical for which you write book, music, and lyrics wins a record-breaking twelve Tony awards and runs for over 2500 performances, what do you do for an encore?

If you’re Mel Brooks, your follow-up to The Producers is Young Frankenstein, and though the comic master’s sophomore musical ran less than 500 performances, it’s nonetheless a tuneful, laugh-filled treat for Brooks fans and horror buffs alike.
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LIVE NUDE GIRL

RECOMMENDED
Monica Himmel is Deanna, an actress in search of professional and personal fulfillment in Monica Himmelheber’s Live Nude Girl, now playing Mondays at Hollywood’s Lounge Theatre.

If Live Nude Girl has an autobiographical ring to it, it’s probably because Himmelheber is a writer in search of professional and personal fulfillment, and Himmel … Well, if you haven’t yet guessed, Himmelheber and Himmel are one and the same.
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MISS SAIGON


One of Broadway’s biggest smash hits of the 1990s, Miss Saigon, now lights up the nights at the San Diego-adjacent Moonlight Amphitheatre with its blend of war, romance, gorgeous melodies, and show-stopping production numbers. In a production directed with sensitivity and dazzle by Steven Glaudini and starring Jennifer Paz in the role which won her the 2008 Ovation Award as Best Actress In A Musical, Miss Saigon provides Broadway pizzazz and operatic passion in equal measure.
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BECKY’S NEW CAR


“When a woman says she wants new shoes, what she really wants is a new job. When she says she wants a new house, what she really wants is a new husband. And when she says she wants a new car, what she really wants is a new life.”

Imparting these words of wisdom is Rebecca (Becky) Foster, middle-aged wife and mother and the title character of Steven Dietz’s Becky’s New Car, now delighting San Diego audiences in an absolutely terrific production at Solana Beach’s North Coast Repertory.
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