Author Archive

FOREVER PLAID


The Plaids of Forever Plaid are back, entertaining Glendale Centre Theatre audiences with their close-harmony vocals and amusing between-song patter in a 90-minute revue that couldn’t be a better choice for the retired seniors who make up the bulk of GCT audiences—and should prove entertaining to the under-65 set as well.
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CIRCLE MIRROR TRANSFORMATION


There’s no treat for an avid theatergoer quite like the treat of seeing something absolutely fresh and original. Annie Baker’s Circle Mirror Transformation is just such a treat.
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SMUDGE

RECOMMENDED
How to review a show whose point you missed entirely? That’s the dilemma currently faced by this reviewer in writing about Rachel Axler’s Smudge, the latest offering by Burbank’s esteemed Syzygy Theatre Group.
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SHANNON WARNE

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ROB NAGLE

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MARSHAL KENNEDY CAROLAN

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TO KILL A MOCKINGBIRD


If adapting a novel for the stage provides a writing challenge for any playwright, imagine how daunting the task becomes when the novel in question has been voted the “Best Novel Of The 20th Century.”* Christopher Sergel took on this challenge in his 1990 stage adaptation of Harper Lee’s beloved Pulitzer Prize winner To Kill A Mockingbird, and though the resulting script does not rise to the level of its source material, its latest revival reestablishes The Production Company’s standing as one of L.A.’s finest and provides two hours of edifying, thought-provoking, beautifully acted, and ultimately inspiring theater.
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GROUP: A MUSICAL


Musical group therapy might not be an effective way for people to work on their psychological problems and personal issues. There might not even be such a thing for that matter, or at least not as Adam Emperor Southard imagines it in Group: A Musical. One thing is certain, however. Musical group therapy is one terrific idea for a show, and Southard’s very first musical makes for one terrific evening of theater. As produced by the Los Angeles Theatre Ensemble, Group: A Musical starts out promising, keeps getting better, and by the end of its second act, has earned every decibel of the audience cheers which erupted at Opening Night curtain calls.
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