Author Archive

THE CRADLE WILL ROCK

NOT RECOMMENDED

Corruption and corporate greed are nothing new to the 21st Century. Composer-playwright Marc Blitzstein wrote about both in The Cradle Will Rock, his 1937 “play in music,” now being revived by the company that won the LA Weekly Award for Musical Of The Year for its first production of it back in 1994.
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WRINKLES


The Fukutani-Komiyamas are your typical middle-class Pasadena family. Mom Nancy is a divorced single mother and successful attorney. Teenaged Jason is a high school student who’d rather listen to his iPod and play video games on his laptop than write the university essay his mom is always on his case about. “Why don’t you just bang me over the head with a blunt object,” retorts his frustrated mom when Jason informs her that his essay is (pointing at head) “up here.” Grandpa Harry shares digs with daughter and grandson, the better to provide Jason with a mature male influence. Yes, the Fukutani-Komiyamas are your typical middle-class Pasadena family with one exception.
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DANGEROUS BEAUTY


If career options for women were limited in the decades before women’s lib, they were even fewer in the mid-16th Century when Veronica Franco was born, particularly if your mother had at one time been a courtesan, something Veronica found out the hard way when her dreams of marrying her life’s true love were dashed by the realities of Venetian society. For Veronica Franco, there was but one option—to follow in her mother’s footsteps, and if she couldn’t be Marco Venier’s wife, then his mistress she would be.
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“MASTER HAROLD” … AND THE BOYS


Sometimes the event of a single day, of a single conversation even, can change a person’s life forever. This is certainly the case for seventeen-year-old Hally in Athol Fugard’s “Master Harold”…and the boys, now playing at Ventura’s esteemed Rubicon Theatre in a couldn’t-be-better production.
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THE DROWSY CHAPERONE


With Cupid’s day fast approaching, timing could not be more perfect for The Drowsy Chaperone, Broadway’s Valentine to Musical Theater, to make its West Coast Regional debut in an absolutely splendid production by 3-D Theatricals.
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THE WHO’S TOMMY


It’s not every day—or even every year—that an intimate theater production gets invited for a repeat engagement by a major Performing Arts Center. On the other hand, it’s not every year that an Orange County intimate theater production scores four Los Angeles Stage Alliance Ovation Award Nominations, wins a special Ovation Award for its spectacular video design, and is currently up for three Los Angeles Drama Critics Circle Awards, not to mention its nine Scenies including Best Intimate Theater Musical and Director Of The Year.
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TO KILL A MOCKINGBIRD


As I sat last night watching the lives of Atticus, Scout, Jem, and the rest of the characters created by Harper Lee in To Kill A Mockingbird, I couldn’t help looking at the audience around me, mostly seniors, their ages hovering around 76, give or take a few years, and think of the changes that have taken place in our society since 1935, the year Lee’s novel-turned-play takes place, the year in which many of those audience members first saw the light of day.
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ONE TOUCH OF VENUS


Sparkling performances and Richard Israel’s deft direction make One Touch Of Venus, Musical Theatre Guild’s latest revival, a delightful 1940s bonbon.
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