Author Archive

A HOUSE NOT MEANT TO STAND


The McCorkles of Tennessee Williams’ A House Not Meant To Stand would seem to have more in common with the trailer trash of Del Shores’ Sordid Lives than with the lost souls of The Glass Menagerie or other early Williams’ plays. Perhaps that’s why I enjoyed Tennessee’s last play, now getting its West Coast Premiere nearly thirty years after it first opened in Chicago, so much. That, and the fact that it’s the latest offering by the only Intimate Theater in Los Angeles to win the L.A. Ovation Award for Production Of The Year four times.
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ROBERT PENDILLA

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LESLEY MCKINNELL

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MICHELLE LONDON

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KC FREDERICKS

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BARRY SALTZMAN

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ROCK OF AGES


The ‘80s have taken over the O.C. as the Broadway smash Rock Of Ages arrives at Costa Mesa’s Segerstrom Center For The Arts. Long-haired rock stars, big-haired rock babes, and the hits of Styx, Journey, Bon Jovi, Pat Benatar, Twisted Sister, Steve Perry, Poison and Asia come together with a wisp of a jukebox musical plot to make for two hours and twenty minutes of joyous nostalgia and hard rock “noize” (as in Quiet Riot’s 1983 cover of “Cum On Feel the Noize.”)
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MATT BECOMES A MAN


Many an actor has a tale to tell, and a goodly number of them have turned their stories into solo performances, most of which end up acts of shameless self-promotion. Well, perhaps that’s a bit of an overstatement, and one unbecoming a website which prides itself on “accentuating the positive in Los Angeles theater.” Still, there is some truth to this exaggeration, which is why when I tell you that I loved every minute of Matt McConkey’s Matt Becomes A Man, it is a statement to be taken seriously. The Scenie-Winning star of last year’s The Boys In The Band not only has a story worth telling, it’s also a story worth taking center stage with, as the handsome, talented, ingratiating, and very funny young actor does in his absolutely captivating hour of self-discovery.
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