Author Archive
HOW THE WORLD BEGAN
Tuesday, October 4th, 2011
Ask a big city Blue State high school science teacher and a rural Bible Belt high school student how the world began and you’ll probably get two quite different answers. Put this teacher and this student in the same classroom in small town Kansas and sparks are likely to fly.
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PSYCHO BEACH PARTY
Monday, October 3rd, 2011NOT RECOMMENDED
No one sends up popular film genres with a campier (i.e. gayer) sensibility than Charles Busch, whether it’s the “Oriental” melodramas of Hollywood’s Golden Era in Shanghai Moon, or those ’50s/’60s Ross Hunter soap operas in Die! Mommy! Die!, or WWII “Women In Peril” thrillers in The Lady In Question, or the red-baiting propaganda films of the late ’40s/early ’50s in Red Scare On Sunset.
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UP
Sunday, October 2nd, 2011
The recent spate of It Gets Better videos could easily have been made with the teenage protagonists of Bridget Carpenter’s Up in mind. Fifteen-year-old Mikey, though not gay, is “different” enough to get pushed around and called “faggot.” As for Mikey’s new friend Maria, the six-months-pregnant sixteen-year-old was sent packing when her “drunk bitch” of a mom found out her little girl had gotten herself knocked up.
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SINGIN’ IN THE RAIN
Sunday, October 2nd, 2011
The 1952 MGM Musical classic Singin’ In The Rain gives Downey Civic Light Opera its best production since 2009’s My Fair Lady, one that judging from the enthusiastic reaction of Friday’s Opening Night audience could well prove DLCO’s biggest hit in as many years.
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RICHARD O’BRIEN’S THE ROCKY HORROR SHOW
Saturday, October 1st, 2011
How does one review the revival of a camp classic? How does a reviewer deal with that oxymoronic juxtaposition of camp and classic? Can something “so bad it’s good” actually achieve the status of a classic?
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NOISES OFF
Thursday, September 29th, 2011
Imagine a production of one of those hilarious English farces like No Sex Please, We’re British whose actors are still struggling with their lines, have yet to master the requisite comic timing, and still haven’t learned when to enter and exit. Lines will be forgotten, jokes won’t get their payoff, cues will be missed, and the entire production an absolute mess. Certainly not one you’d pay to see, right?
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STEVEN STANLEY INTERVIEWED LIVE ON LA LA LAND
Tuesday, September 27th, 2011Watch all three parts of Steven Stanley’s interview with Brett Chapin and Neti Leddel.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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