Author Archive

BANANAS! A DAY IN THE LIFE OF JOSEPHINE BAKER


When Halle Berry became the first African American to win a Best Actress Academy Award in 2002, she dedicated her golden statuette to a trio of pioneering black performers—Dorothy Dandridge, Lena Horne, and Diahann Carroll—for opening the door to Berry’s Oscar win. In retrospect, Berry could just have easily added a fourth name to the list, that of Josephine Baker, the first African-American female to star in a major motion picture, the first to perform before an integrated audience in an American concert hall, and the first to see her fame spread throughout the world.
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THE GAYEST CHRISTMAS PAGEANT EVER!


The old adage that “timing is everything” proves doubly true for the Paul Storiale-directed production of Joe Marshall’s The Gayest Christmas Pageant Ever! A not yet fully rehearsed opening weekend was hardly the most propitious time for inviting critics to review its West Coast Premiere, and without sufficient rehearsal, the draggy production I saw two weeks ago lacked (among other things) the razor-sharp timing so essential in a screwball comedy. Fortunately, this reviewer’s schedule has permitted a return visit, and I can happily report that this new, improved The Gayest Christmas Pageant Ever! merits a largely unqualified WOW! What a difference time and timing can make.
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STATIONS: A Los Angeles Holiday Story


The gifted young artists of Boom Kat Dance Theatre, creators of the Ovation-nominated, multiple Scenie-winning Neverwonderland, are back at Santa Monica’s Miles Memorial Playhouse with the perfect Christmas gift for theatergoers in search of that illusive Holiday Spirit.
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MY THREE ANGELS


A trio of convicts transported to 1910 French Guiana prove Christmas guardian angels to an absentminded shopkeeper, his long-suffering wife, and their lovesick daughter in Sam and Bella Spewack’s charming 1953 comedy My Three Angels, delightfully revived for 21st Century audiences by theGROUPrep at the Lonny Chapman Theatre.
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AFTER HOURS


Cancer patients and family members dealing with the Big C let down their hair (and occasionally their guard) at a bar called After Hours in E.M. Hodge’s aptly named After Hours, now getting its World Premiere at Theatre 68.  Like Michael Christofer’s The Shadow Box, Hodge’s dramedy finds considerable laughter amongst the inevitable tears, and under Paul McGee’s assured direction, marks a promising full-length debut for the playwright.
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IRVING BERLIN’S WHITE CHRISTMAS


We Angelinos may not be waking up to snow on our lawns this Christmas season, but snowflakes (or a close equivalent of them) will be falling on L.A. and Orange County heads throughout December at the Segerstrom Center For The Arts, where the National Tour of Irving Berlin’s White Christmas has just settled in for a three-week visit.
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SOME LOVERS


Burt Bacharach is back, and the Old Globe’s got him—in Some Lovers, the master composer’s first original musical since 1968’s Promises, Promises, and as gorgeously tuneful and romantic a show as you’re likely to see this or any other holiday season.
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HOW THE GRINCH STOLE CHRISTMAS


The Grinch has been stealing Christmas for the past fifty-four years, ever since the now classic Dr. Seuss children’s book first hit the stands, yet who would have thought then that the curmudgeonly cave-dweller with a heart “two sizes too small” would go on to conquer the small screen (in a 1966 animated special featuring the voice of Boris Karloff as the Grinch), the big screen (Jim Carrey played the hairy Green One in 2000), and even Broadway (in musical theater form in 2006 and ’07)? Not even Dr. Seuss himself could have imagined such a future for his 1957 picture book.
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