Author Archive

OUTSIDE MULLINGAR

A couple of long-feuding Irish neighbors find themselves moonstruck in John Patrick Shanley’s delightfully quirky romantic comedy Outside Mullingar, now charming audiences at the Geffen Playhouse.
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MAN OF LA MANCHA

UC Irvine celebrates its Golden Anniversary—and that of the Best Musical Tony-winning Broadway classic Man Of La Mancha—with a student production that, despite a problematic use of “Spanish accents,” once again rivals the best our professional regional theaters have to offer.
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THE PAINTED ROCKS AT REVOLVER CREEK

Premier South African playwright Athol Fugard once again puts a personal face on apartheid in his deeply moving two-act drama The Painted Rocks Of Revolver Creek, now getting a gorgeously-acted West Coast Premiere at Fugard’s Los Angeles home, the award-winning Fountain Theatre.
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DO I HEAR A WALTZ?

If ever there were an ideal show for Musical Theatre Guild to revive, it is Richard Rodgers, Stephen Sondheim, and Arthur Laurents’ Do I Hear A Waltz? Terrific songs. A book based on a successful play and movie. A couldn’t-be-more-romantic setting. Mixed reviews. Only 200 performances on Broadway. In short, a show you’re unlikely to see revived in any major sort of way any time soon.

Fortunately, thanks to MTG, L.A. audiences got treated to its many delights last night at Glendale’s historic Alex Theatre.
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THE FEAST

A suddenly meatless world serves as the pretext for what well may be the most bizarre dinner party in the history of contemporary theater in Celine Song’s absurdist black comedy The Feast, now being given a terrific Los Angeles New Court Theatre L.A. Premiere in precisely the kind of DTLA loft-with-view in which said dinner party might actually take place.
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MIRAVEL

RECOMMENDED

Cyrano de Bergerac gets a jazz-infused contemporary update in Jake Broder’s play with music Miravel, a Sacred Fools World Premiere that scores high marks for performance, both vocal and instrumental, but could use some tweaking and tightening, particularly in its overlong first act.
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42nd STREET

Three dozen pairs of “dancing feet” have arrived at the Segerstrom Center For The Arts, which as any Broadway buff will tell you can mean only one thing—42nd Street is in town, exciting news indeed for musical theater aficionados, particularly since the show’s latest national tour is just about as terrifically performed, directed, choreographed, and designed as national tours get.
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THE ADDAMS FAMILY

The “creepy, kooky, mysterious, and spooky” family known as The Addams have arrived at the Simi Valley Performing Arts Center in a production that proves an audience-pleaser even without Broadway sets and Equity performers, particularly as captained by a sensational George Chavez as Gomez Addams.
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