Author Archive

THE FULL MONTY

The sextet of laid-off upstate New York factory workers with plans to offer Buffalo gals a night of full-frontal fun are centerstage once more as 3-D Theatricals debuts its couldn’t-be-better revival of the 2000 Broadway hit musical The Full Monty.

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IN THE HEIGHTS

In The Heights, the thrilling, entertaining, emotionally powerful Tony-winning Best Musical of 2008, has arrived at the Simi Valley Cultural Arts Center in a production whose triple-threat performances rival the best of the multiple professional ITH stagings I’ve seen over the past six years.
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NEXT THING YOU KNOW

No one writes contemporary musical romcoms better than Joshua Salzman and Ryan Cunningham, proof positive of which can be savored in Next Thing You Know, the duo’s charming, infectiously tuneful follow-up to their off-Broadway hit I Love You Because, now being given a terrific West Coast Premiere by Chromolume Theatre Company.
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DRY LAND

Fearless only begins to describe the performances being given by Teagan Rose and Connor Kelly-Eiding, the two extraordinary young stars of Ruby Rae Spiegel’s darkly comic, graphically disturbing Dry Land, now getting a riveting West Coast Premiere by The Echo Theater Company.
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INTO THE WOODS

Cal State Fullerton’s musical theater majors once again prove themselves some of American’s Most Promising triple-threats in CSUF’s splendid big-stage revival of Stephen Sondheim and James Lapine’s Into The Woods.
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SISTER ACT

The convent is alive with the sound of disco as on-the-lam nightclub chantoozie Deloris Van Cartier teaches the nuns of The Holy Order of the Little Sisters of Our Mother of Perpetual Faith a lesson in Booty-Shaking For The Lord in Sister Act, the most all-around entertaining Musical Theatre West premiere in years.
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CHILDREN OF EDEN

An onstage cast of fifty multitalented musical theater performers, an absolutely exquisite production design, and above all what may well be Stephen Schwartz’s most gorgeous score (Wicked included) add up to a glorious Children Of Eden, now being given the kind of Grade-A professional staging you’d be hard-pressed to find anywhere other than Cabrillo Music Theater.
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FUTURE THINKING

An obsessed fan is no laughing matter (remember Kathy Bates in Misery?), that is unless the obsessed fan in question is the one under hotel arrest in Eliza Clark’s delightful, surprising, and ultimately quite touching new dramedy Future Thinking, now World Premiering at South Coast Repertory.
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