Author Archive

AH, WILDERNESS!

A New England teen does considerable growing up over the course of thirty-six midsummer hours in Ah, Wilderness!, Eugene O’Neil’s timeless bit of early twentieth-century Americana, delightfully revived by A Noise Within in a production that could only have been improved by the casting of an age-appropriate lead.
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EDWARD ALBEE’S AT HOME AT THE ZOO

Edward Albee fans will find themselves in absurdist heaven, more traditionally minded theatergoers may wonder what all the Albee hoopla has been about, but both will relish the experience of seeing Edward Albee’s At Home At The Zoo (the playwright’s name is part of the title) translated into American Sign Language and performed by three of Deaf West Theatre’s brightest stars at Beverly Hills’ Wallis Annenberg Center For The Performing Arts.
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DANNY AND THE DEEP BLUE SEA

Renée Marino and J. Bailey Burcham are absolutely riveting as two of the most damaged souls you’ll ever see sharing a stage in Panic! Productions and Theatre 68’s powerful revival of John Patrick Shanley’s gut-wrenching yet unexpectedly magical Danny And The Deep Blue Sea.
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FUGU

The truth-is-stranger-than-fiction tale of Eastern-European Jews finding refuge from the Nazis in 1941 Japan merits more nuanced treatment than it gets in West Coast Jewish Theatre’s credibility-defying World Premiere historical melodrama Fugu.
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COMPANY

Director Kristin Towers-Rowles makes Stephen Sondheim and George Furth’s 1970 Broadway classic Company seem fresh and new in the terrifically performed and choreographed revival it’s now being given at Santa Monica’s Morgan-Wixson Theatre.
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33 VARIATIONS

Actors Co-op’s intimate revival of Moisés Kaufman’s 33 Variations is not only one of the year’s finest 99-seat productions, it is among the all-time best I’ve seen at the Co-op since first discovering the Hollywood theatrical gem over two decades ago.
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COLLECTIVE RAGE: A PLAY IN FIVE BOOPS


Five very different Bettys learn to love their pussies, and each other, in Collective Rage: A Play In Five Boops, a tangy new Jen Silverman comedy that may not be to everyone’s taste, but offers enough delicious dialog and tasty performances to keep adventurous Boston Court audiences entertained and ultimately maybe even quite moved.
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A GENTLEMAN’S GUIDE TO LOVE AND MURDER

Homicide has rarely been as hilarious as it is in A Gentleman’s Guide To Love And Murder, the murderously mirthful quadruple-Tony-winning Best Musical of 2014, now paying a crowd-delighting weeklong visit to the Segerstrom Center For The Arts.
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