Author Archive

D DEB DEBBIE DEBORAH

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Twilight Zone meets Theater Of The Absurd in D Deb Debbie Deborah, Jerry Lieblich’s trippy journey to a land where no one, not even the title character, is who they seem, and though it’s anyone’s guess what Lieblich is getting at throughout most of his play’s seventy-five minutes, confusion hardly matters till a sudden eleventh-hour try for profundity takes Quadruple D from entertaining to exasperating.
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CABARET

Kander & Ebb’s Cabaret, radically re-imagined by Sam Mendes, has arrived at the Segerstrom Center For The Performing Arts to thrill and devastate audiences with its vision of 1930s Berlin at its darkest and most decadent.
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ELECTRICITY


Opposites not only attract, they generate Electricity in Terry Ray’s captivating World Premiere tale of two gay men who just happen to meet Same Time Next Decade in the same Ohio motel room from the early 1980s to the present day and (as the song goes) can’t help falling in love.
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FOOTLOOSE THE MUSICAL

Ren McCormack is back at Bomont High and fighting for his fellow students’ right to “cut footloose” as Candlelight Pavilion Dinner Theatre treats its audiences to a finger-snapping, toe-tapping revival of Broadway’s Footloose The Musical.
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RAPTURE, BLISTER, BURN

San Pedro’s Little Fish Theatre scores a major programming coup in offering Angelinos their first 99-seat look at Gina Gionfriddo’s Rapture, Blister, Burn, the Pulitzer Prize-nominated playwright’s tangy examination of how much—and how little—women’s lives have changed from the pre-Betty Friedan 1950s to the post-post-Feminist today.
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LITTLE SHOP OF HORRORS

Save for one teensy tiny potted plan that doesn’t even make it through Act One, there’s nothing even vaguely botanical-looking in The B Productions’ 99-seat revival of Menken & Ashman’s Little Shop Of Horrors. What there is is an abundance of talent both onstage and off, making the NoHo Arts Center guest production a winner even if its central conceit (“Technology Can Kill”) will probably work best for those who’ve already seen Little Shop umpteen times.
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EVERYTHING’S COMING UP ROSIE

A couple of luminous Broadway stars shone brightly this past Sunday in Everything’s Coming Up Rosie, Sterling’s Upstairs At The Federal’s one-night-only salute to Rosemary Clooney, a celebration of both the lady of song and the ten years that Michael Sterling has treated L.A. to the crème-de-la-crème of musical theater talent in an intimate supper club setting.
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A RAISIN IN THE SUN

Star turns you’d expect to see at the Pasadena Playhouse or the Geffen distinguish Ruskin Group Theatre’s 57th-anniversary revival of the New York Drama Critics Circle Award-winning A Raisin In The Sun, Lorraine Hansberry’s piercing look at racial discrimination, gender roles, family values, and burgeoning African-American identity—a modern American classic that remains as relevant today as it was in the pre-Civil Rights Era 1950s.
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