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Louisiana native and L.A. transplant Blayne Weaver is about to open in Anon, a new comedy by Emmy nominated Kate Robin. Weaver, who's also an award- winning film maker (and the voice of Disney's Peter Pan), graciously sat down and answered our questions about his film work, his upcoming play, and voicing a children's classic.
  Blayne, your first film credit, The Flood: Who Will Save Our Children?, was made while you were still a high school student in Louisiana? How did that happen?
I grew up doing community theater in Louisiana. When I got my license at fifteen, I started commuting to Dallas, Texas (about three hours away) for auditions. They had a small film community and whenever a film wanted actors with Southern accents, they would do a casting in Dallas. Anyway, I booked one of the lead roles in "The Flood" and they ended up flying me out to Austrailia to shoot a movie that was set in Texas (weird, I know). It was so random and I totally blew one of the callbacks but the director liked me and fought for me. In the end I was the only lead not from Los Angeles and the only one playing my actual age. Great job... but my high school wasn't a big fan of me missing a chunk of my Junior year. They got over it when it came on TV.
When and how did the move to Hollywood take place?
I did another TV movie after senior year, a Western that Tommy Lee Jones directed. I played Frances McDormand and Terry Kinney's son and Matt Damon's brother. Of course, I'm 18 and I'm having dinner every night with these incredibly talented actors and they're all telling me "Go to New York". So, I went to New York. Eight months later the cowboy movie premiered in LA so I moved to Hollywood to coincide with the premiere.
You were a member of the Shreveport, Louisiana children's theater group, "Peter Pan Players,” and in 2002 you supplied the voice for Disney’s Peter Pan in Return to Neverland. Any connection between the two?
That's just kind of weird. One of my first big productions as a kid was Michael in Peter Pan. I was eight and loved it because I got to fly. Years later I'm playing Peter Pan for Disney... Weird.
What’s it been like to voice a character that’s long been a favorite of children of all ages? Did you have to imitate the original voice, Bobby Driscoll?
My audition was literally an impression of Wally Cleaver. It's got that fifties tone of innocence... an "Aw, shucks" quality but... with an edge. Does that even make sense? I don't know but that's how I think of it.
 You’ve also written, directed, and starred in a full length feature film, Outside Sales (www.outsidesalesmovie.com), that’s been in a bunch of film festivals! Where did you find the chutzpah for such a major undertaking, and what’s it been like to see your film shown at festivals across the country?
I've been working as a writer since 2001's "Manic" which starred Don Cheadle and Joseph Gordon Levitt. I had this script for "Outside Sales" that had been bouncing around studios for awhile. I had been through the indie film world before with "Manic", which gave me a clue as to what to expect and I had just made some good money off the Peter Pan movie. I formed a production company with my best friend and we set out to make a low budget movie... as it turns out I sold my house to complete the film but it couldn't have been more rewarding. The film festivals are amazing and I've traveled all around the country showing and talking about this film that I'm just so proud of.
 Now you’re doing live theater, and since this is L.A., it’s obviously not for the money. What drew you to Anon, and why do theater when you’ve got a flourishing film career?
I haven't done a stage production in probably around eight years. The reason that I was so interested in "Anon" was, from the onset, the Echo Theater Company. I first became acquainted with them when casting "Outside Sales". I knew Lucas Fleischer (the lead in the film) and he kept recommending these amazingly talented actors, almost all of which turned out to be connected in some way to The Echo. I knew the artistic director, Chris Fields as an acting coach and knew he was great but I was so impressed with the quality of the productions and the talent in the ensemble that I thought "this is a group I would like to be a part of". Then I read Kate Robin's script and I immediately responded to it. Smart, sexy, edgy and real... It's the kind of thing that I would like to see... Who wouldn't want to be a part of that?
Tell us more about Anon, and its Emmy-nominated playwright Kate Robin.
"Anon" is this great story about Trip and Allison. They meet, they fall for each other and that's when things get complicated. Trip may (or may not) be a sex addict and it's these two people clinging to each other trying to make something work while simultaneously Trip's parents (Larry Joshua and Alison Martin) are dealing with the same issues.
  What’s it like working with Anon costar Kit Pongetti? I read that she's part of an Austin, Texas band. So, she’s also a Southerner, right?
Kit's a brilliant actress and a lot of fun to work with. I feel so lucky because we have to be really vulnerable onstage. There are love scenes and us in bed just talking. It could be really difficult with an actor that isn't on your side or unprofessional. Kit is kind of my hero right now. About us being both Southern, though... Being from Louisiana, I have kind of an issue with Texans being referred to as Southerners...Texas is like it's own designation. Of course, Kit will disagree with me about this. But I'm clearly right. Just sayin'.
Oops! I didn't know.
Tell Angelinos the three best reasons they should drag themselves from their TV sets and go see Anon, live on stage.
1. The script. This is an opportunity to see a new play by a hot writer that will be bringing much more to the stage and the screen in the future. It's the kind of script where after the play you'll be talking about the themes and quoting the lines.
2. The cast. In addition to the four leads, the play is peppered with actresses and their sometimes hilarious, sometimes heartbreaking confessionals. The talent is top notch and you'll recognize probably all of them. Actresses from the upcoming "Dark Knight" and "Twelve Miles of Bad Road" to "Scrubs" and "Brothers and Sisters"... With a good cast and a great script... Why wouldn't you go?
3. It's a thought provoking and darkly humourous look at sex addiction. Come on, who doesn't want to see that?
It’s been great talking with you, Blayne, and we can't wait to see Anon!
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